We had the honor of studying Rikka Shimputai under the guidance of visiting teacher Jeanne Holy. Jeanne Sensei began by introducing the similarities and differences between Rikka Shimputai, traditional Rikka Shofutai, Shoka, and Tatehana arrangements, helping students understand how Shimputai both honors and departs from classical forms.

While Rikka Shofutai follows strict rules and is balanced yet asymmetrical—often described as having a globe-like form—Rikka Shimputai is more fluid and expressive, likened to a soft balloon gently moving in the wind. In Rikka Shimputai, emphasis is placed on the plant material itself, with careful consideration given to Shu, Yo, and Ashirai.

Students learned wiring, bending, and shaping techniques to guide the materials, using space, color, and texture thoughtfully. With the freedom to place materials in the kenzan as they wished, each arrangement expressed movement and balance while remaining rooted in ikebana principles.

Shibani SangelkarRoxie GriegoMinnette SiedenburgLinnea StormLauren TothJeanne SoursJeanne HolyConnie SchollBev TallYuki KataokaWanda LaLoggia